- Daniel Meehan
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An Auto-interview:
(Interviewer) What is your favorite painting
(DM) The one I am working on at this time
(int) Tell about your background, especially regarding your artwork.(DM) Okay. I will try to be concise. I was born in the Cyprus Hills area of Brooklyn, New York City, in 1947 and raised in the Richmond Hill Queens area nearby. My dad, Daniel Meehan, taught me lots of things, but the most important thing was showing me how to paint a straight line. He also introduced me to many other things such as fishing, electronics, photography, carpentry, home repair, and car maintenance. I liked to draw as a child and drew cartoons and cowboys all the time. For high school, I was fortunate enough to receive a modern day “Bauhaus style" education at the Thomas A. Edison Career and Technical Education High School where I studied sheet metal and machine shop, mechanical drafting, electronics, wood working, and two years of commercial art. After high school, I learned how to program computers and worked in a data center in New York City until I was drafted into the US Army during the Vietnam conflict. These computer skills enabled me to serve in an army computer center and brought me employment until I retired in 2013. When I was released from military duty, I studied photography at the New York School of Visual Arts. In 1972 I moved from New York City to San Francisco where I was fortunate to have good friends there who helped me get established. I loved San Francisco! The city was cool then, but drugs and crime were starting to increase so I moved to Berkeley. Soon, I found computer work in Silicon Valley and moved to Palo Alto. All this time, I continued to study and practice art whenever I could. I became interested in Tibetan Buddhist mandala and thangka paintings and studied these art forms. I got married in 1977 and we raised two children. While the kids were growing up, I didn't have much time for artwork. After retiring in 2013, I became interested in doing art again, and for the last several years I grew again as an artist and found good energy from making art. I live in a magical place with my wife, Alice Newton, on the edge of an ancient northern California forest in a Mediterranean climate on the San Francisco Peninsula, home to many Valley Oaks and Live Oaks with their majestic presence and energy. Our children and grandchildren live nearby.
(int) What genres of art and related fields are you interested in?
(DM) I have many interests: architecture and architectural elements, Mayan and Aztec cultures, Roman and Greek cultures and histories, California history, Western Americana, Tibetan art, Buddhist art, Mexican culture, Southwestern arts and culture., structural engineering, geology, curves generated by geometry, Japanese prints, Arctic cultures, Civil War History, and music (rock, jazz, and classical). I am also interested in plants and nature.
(int) What is your art work day like? Do you have a favorite time to create?
(DM) Mornings are good, afternoons and evenings are fine. It depends on what is going on in my life. Anytime really.
(int) What are you trying to say? What is the message behind all this imagery?
(DM) I consider myself to be a visual explorer. I am interested in shapes, designs, patterns, forms, lines, colors, and where these come together and reach a balance. I usually start with an idea or photograph and use sketches to develop ideas. I will take an idea and paint it several times to get the balance right.
(int) Where do you find inspiration?
(DM) Nature and light. Here in California, the light is pure, and is reflected off of the Pacific Ocean. The sky is a deep inspiring blue. The light is very positive.
(int) Tell me about your favorite medium.
(DM) I have tried many traditional mediums - oil, acrylic, ink, pencil, watercolor, and photography. My current medium is watercolor because I have found that using glazing or wash techniques can bring out the rich essences of colors. Watercolor paints typically do not form a cohesive paint layer as do acrylic or oil paints, but simply scatter pigment particles randomly across the surface of the paper. The transparency is caused by the paper being visible between the particles. Watercolors may appear more vivid than acrylics or oils because the pigments are laid down in a more pure form with few fillers obscuring the pigment colors. I usually paint on Arches 400-pound paper. I have applied as many as 30 washes of colors to some paintings, and I am very satisfied with the results. I pay attention to the watercolor attributes of transparency, staining, and granulation to varying degrees. Transparency is the most important in achieving vibrant vivid colors.
I hope to return to the oil medium someday. I am very interested in the technique Mischtechnik or mixed technique.
(int) Thank you.
(DM) You're welcome. I hope we all get to make art in some form. It is a great and rewarding game and it is fun!
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